LAGER TIME PODCAST: On Music Enjoyment Denial

Easy easy easy

I’ve just uploaded another episode of Lager Time - this one is called On Music Enjoyment Denial - where I talk about about why I didn’t like Grime, when it first emerged in the early 2000’s.

It’s based on Book 4 of Meditations by Marcus Aurelius. It’s the fifth one (including the intro) in this series I’ve written and I’ve very much enjoyed it.

You can listen below via Substack, or you can Subscribe to my Substack where it’s hosted and where you can also read it as a blog.

As ever, if you like this odd little niche thing that I’m doing over here, please recommend it to a mate, and if you fancy whipping the wallet out, you can make a donation on my Ko-Fi account, Buy-Me-A-Lager – there’s a few copies left of my first book the Suburban, which you can grab on my website alongside a couple of other bits – then of course there’s music on Spotify, Apple, and videos on You Tube and all that caper.

Peas and taters

Paul

Source: https://cree.substack.com/publish/settings

Substack Post: On the Death of Skibadee: Part 2

This post was originally published on my Substack Blog: Lager Time. If you subsribe, you can have it as an audio podcast, or as a weekly email

I mentioned in the first part of this, that it’s probably going to be a bit all over the place. It is. And I’m probably going to contradict myself.     I’m trying to work out where I stand on the sincerity of social-media posting, particularly in times of tragedy.

I’ve always had this stubborn side of me, that wants to quietly rebel against consensus. I’m not quite sure why but I find it pretty annoying; as in, why can’t I just accept things like most other people. I suspect it has a lot to do with my own ego, which, despite calm / gormless appearances, can be a raging-mess, like a quaint, inconspicuous (and fully soundproofed) village-hall; housing a packed, drug-fuelled gabba-rave.  But that’s not the only thing.

My first memory of it rearing its head was in primary school, watching some slapstick-theatre show, prancing about the school assembly hall. All the kids were cracking-up; except for me. I can remember this conflicted feeling I had – this sort of frustration, that I wanted all the other kids to understand that this is shit, it isn’t funny ­- versus the feeling (though I could be making this bit up but I’m pretty sure it was the case) of actually wanting to laugh, because perhaps; it was funny, in places.

The classic one these days, is if someone recommends me something to watch, or listen to, that’s current, or popular, or both. My normal reaction is something along the lines of that’s probably going to be shit. See, I can be a prick. However, in some cases, that inner-prick, is often right; subject to my own preference and opinion, of course. Kendrick Lamar is a decent spitter, but he ‘aint top ten, no-where near it, mate. And Line of Duty, was no better than a soap-opera. It was alright, but nothing special. Sometimes I wish I could accept the consensus though. Life would probably be a bit happier.  

Sometimes it’s not all ego-driven, or just something being over-rated. Sometimes, it’s a hunch or a suspicion, that something else is going on. The bull-shit detector. If it’s mass-consensus, sometimes it could be tribalism that’s driving it, or self-preservation perhaps, which gets masked as earnest, which then makes it insincere, thus bull-shit; especially in the realm of politics. Sincerity is important to me.

There’s numerous cultural and political examples I could give here. A major tragedy happens, a mass-shooting, a war, some big social-justice-type moment and immediately social-media timeliness are awash with more platitudes than a political speech-writing-workshop. But why?

My own reaction to this sort of stuff could well speak to that inner-prick, he exists, most certainly. Also my own social-inadequacies. If I wasn’t so awkward, perhaps ‘d be jumping on board the big save-the-world-sloganeering. 

Sometimes it’s an insecurity thing; they’re probably related. I mugged off grime when it first came about. I think deep-down, I thought it had stolen drum and bass’s thunder. How stupid is that? Like I own drum and bass, or something?! It’s all music. I love music. I’m glad I saw through my own bullshit there. I love grime. Equally, I used to cuss-off 90’s R&B music, saying it was cheesy. But in truth, I did like some of it, I think my issue was that I associated it with men that were confident with the ladies; which of course, I wasn’t.

What’s triggered this post, is the recent death of UK MC Skibadee. Unfortunately, with easy access to instant news, it seems not a week goes by without some legend passing away, and it’s always sad, especially when that person means something to so many. Skibba meant a lot to me (and many, many others of course) but it was the first time I felt moved to write something and post it online and even then I was conflicted. Only time will tell if I’d detected the smell of my own bullshit again, whilst writing it.

The only time I’ve ever chipped in previously was when Leslie Neilson died, and that was only a short tweet. But this one’s bought the conflict up in me again. This conforming thing. I’ve seen a lot of it of late, but for some reason, it doesn’t sit right with me and I don’t know if it’s just that egotistical-dick-head-insecure-not-in-the-cool-club-side-of-me, or the side that’s sometimes, is right to be suspicious[U1] ?

I fully understand that there were many people that knew him, or grew up listening to him, or knew how much of an inspiration he’s been. But some of the things I was seeing, from accounts that I’ve never seen post anything about him, or drum and bass even, felt insincere. Call me a prick here but it seems that if his passing somehow fitted into the sphere, however tenuously, of those accounts own ‘online brand’, then they would comment. Like an industrial trawler, sweeping up everything off the ocean floor, so long as it looked like a fish; it all has a value.  I’m not going to include any examples here, as I’m well-aware I could be completely wrong. I’d rather keep focus on the general sincerity online, or lack of, whenever any big tragedy happens and the cultural-capital that can come with commenting.

I know only too well, what a few of those heart-like-clicks can do to my brain, I can feel it fiending for them, like my dog when I whip the treats out, whenever I post something and then check in, at numerous intervals, to see if anyone has liked it. I’ll be checking the stats on this post, no doubt. That dopamine hit from a click validation – it’s addictive.  And what better way to get those hits, than writing something, in emotional times, that appeals to people’s sense of loss and occasion? Get it right and you’re a wide-boy with the keys to a charlie-factory.

As I write my way through this, I realise it’s probably a mixture of both.  Sincere and insincere. Maybe it’s ok, to reach out for validation, in times of high emotion. The day before I got married, when the pressure was on, I felt the sudden need to reach-out to my parents. I had a little cry and I hugged my mum and I think that was what I needed in that moment. It wasn’t online of course but I would never share anything like that online, that’s just not me but I think the motive may be have similar. For some, maybe that’s what it is, a little reach-out for a virtual-hug, as well as wanting to honour the dearly departed. No shame there.

But is that the case every time? I don’t think so. There’s some people, out there knee-deep in clicked-sourced-dopamine and looking for that next hit. But you tell me. These things are very difficult to prove and of course call-out, due to the sensitive nature of the subjects. I guess it's down to perception at the end of the day, that and smokey mirrors.

We’re all still figuring out the dos and don’ts of this social media thing. What I do know is, most cultures have specific ways to honour their dead, they’re time-honoured traditions and every part of it, is designed to serve a higher purpose, way beyond gassing-up someone delivering a half-arsed eulogy. Large up the real ones and RIP Skibadee.    

Being shit at something is no longer an excuse

WINDOW DRESSING

Yesterday, Friday 5th February, 2021, was a busy day at Cree HQ. I released a self-produced new single with a B-side, with artwork that I made myself and stuck the thing up on Bandcamp. I released the first video in a little series I’m doing which includes material from the new show. I lit, filmed, edited, and uploaded it myself. Sounds, alright, yea?

REALITY

The songs aren’t mixed very well (you can hear my breathing too much on the first track.) Apart from putting links up on my social media platforms, I’ve done zero PR for it (I don’t really know where to start with that.) The artwork, I made myself on GIMP- it’s very, very simple. There’s a fault line that I don’t know how to get rid of on the main image. With the video, I’ve got way too much light on my face and the sound isn’t great, nor is the delivery in the performance. Basically, it’s all pretty shoddy. Whilst there are certainly a few improvements that I know I can make, it largely shows the extent of my limited skillset, when it comes to putting out my own content.

 
Exhibit A: My wife said ‘I don’t get it?’ - well, good art gets people talking.

Exhibit A: My wife said ‘I don’t get it?’ - well, good art gets people talking.

 


Now, apart from writing the words used in both the music and video, I probably wouldn’t have bothered doing any of the above, not so long ago, due to knowing that I’m not very good at doing those things; also known as, being shit.

There’s been many examples, over the extent of my 37.6 years on this planet, where I’ve given up far too easily. The reasons for this vary but the one that most frequently caused me to stop doing whatever was it was I was trying to do, was being shit at whatever that thing was. It’s shit being shit. I’m sure we all know that.

SIDENOTE

I need to stress here (out of insecurity? Ego? Pride? I don’t know?) that it’s not the case for everything. The fact that I’m sitting here, writing this blog post, follows a trajectory (which I’ve talked about, a lot) from MCing and rapping, in my late teens, to all this other writing stuff now. I was shit at MCing, for a long time and have the tapes to prove it (confidence also plays part in this but I’m not using that as a full excuse, I was shit, mate) but I stuck with it and low and behold, here I am - with a website and a few shows and other cool things under my belt. Well done me for not giving up.

SHIT EXAMPLES

I’ve been shit at a lot of things. I essentially wrote a show about being shit at school (amongst other things), which turned into this new show (which I’m currently writing) which is about (amongst other things) being shit at the jobs I was doing.

Some of the things I wasn’t able to give up, like school for instance, to the extent that I had to be there, by law but most of my efforts, in the last few years of it were reduced to doing the absolute bare minimum, which is probably worse than giving up. With most of the jobs, I needed to earn a living and didn’t want to be sacked, so I still turned up but again, minimal effort in a lot of cases (though, not all.)

There were somethings, I at least for a period, tried hard with, like Maths and French but just couldn’t my head around them, so I gave up. Cleaning was another, I was normally knackered after a shift, hoovering, scrubbing and wiping but I was still shit at it.

However, so many other things, from that Basketball team I trained with for a brief period, to applying for numerous jobs and opportunities, where I just think, I’m shit at this, so what’s the point in continuing? and resign myself to misery and give up.

This attitude has definitely flowed into my work as a creative person. First and foremost, I see myself as a lyrics man, I deal with words and I perform those words. However, there’s many things I’ve attempted, within the world of being an artist, like funding applications and making your own artwork, producing my own music, that I’ve been shit at and just given up, or not even bothered to attempt it, once I’d established I was shit at it.

So where’s that got me? Not that far, that’s for sure. Most of the things that I have done, which went well, which required skills like: funding, artwork, producing, mixing, engineering, filming, editing - were done by people who knew what they were doing, making me a very fortunate young man; because they probably wouldn’t have happened if it was just me in charge  

Of the things that I’m proud of, most of them involved me getting off my arse and making something happen, whilst transcending or ignoring that negative-mindset, that whatever it was, it was going to be shit.

POSITIVE SHIT

I wrote a blog a while back, about the Just A Name mixtape, that I made in 2007. That project came out of a frustration, that I wasn’t able to record and put out my own music, all I had was an ever increasing pile of lyrics, with no music to rap them over. So with the help of my brother Will and my mate, Mit, I learnt just enough on Logic, saved up a bit of dough, bought some basic kit and done the damn thing myself (apart from the mixdown, hold tight Keeper.) Even going to open mics to read my poems, I’d say I was shit at that but I kept it up and got reasonably competent at it.

Whilst I’m pleased with the things that I have achieved, there’s been a whole load of stuff that I haven’t, far too much, in fact, because I made an excuse for myself and gave up. It’s bollox.

 
Circa 2007, some early Cree. A perm marker was used and then scanned, by a printer/scanner that did’nt realy print or scan.

Circa 2007, some early Cree. A perm marker was used and then scanned, by a printer/scanner that did’nt realy print or scan.

 

YOU CAN DO IT, ALL YOU NEED IS…

I’m not trying to sound like one of those self-help guru’s here but that attitude has held me back and I feel stupid for doing so. I think it also masks, on my part, a laziness, risk aversion and a fear of what other people will think. The times where I haven’t been lazy or risk-averse, have led to good things, mostly. So more of that, yea.

In an ideal word, I’d have proper people doing the artwork, the PR, the filming, the funding and I’d just concentrate on my bit, writing and performing but I don’t, none of that is financially viable right now. What I do have, is some good people willing to help me, access to WIFI, a bit of equipment and an account with Udemy and You Tube, so I’m able to at least get some of these little projects finished, to whatever standard and get them out there. The best bit is, I’m slowly improving at the things I mentioned at the start (I can now do a lot more than this time last year) and I get those little dopamine hits, whenever I learn how to do something new, which is a good feeling, even if what I’ve just done is a bit shit; like the artwork on my new track.

So long as I accept the starting point of being shit, at writing funding applications, mixing music, filming, editing, making artwork but acknowledge that I’ll probably improve, if I keep doing it, then I’m onto a winner, mate.

So what I think all this means is, that the real shit thing here in all of this, is doing nothing at all and giving up. It’s shit, being shit but even shitter if you don’t do shit, when you want to get shit done. ‘Eff that, I’ve already wasted to much time, I’ve got work to do.

Peas and taters

Paul

Back on the 140 bus with Bus

Back in September, I put the first blog up on here, about going back to MCing again. I talked about how I’ve never really stopped doing it and how I’d started working with my mate, Bus, doing mixes again. For those that may may not know, this involves Bus being the DJ, playing mainly Grime and Dubstep style music, which is all in the region of 140 BPM (beats per minute) we’ll generally play for about an hour, they’l be mixture of vocal and instrumental tracks and I’ll host and when the moment’s right, rap some lyrics which are written for this sort of music. We both love doing it, from the selecting of the tunes for Bus, and the wiritng of the lyrics for me, we’re just doing it becuase we enjoy it. Hope you do too