Lager Time: Spin, written by Christana Lei

Easy

This week’s episode of Lager Time was a special one, as it’s the first time I’ve put someone’s else’s work on there. That someone is a very good freind of mine, called Christana Lei, who’ve I known for number of years now and we’ve colloberated before on a few projects.

The story is called Spin. I asked Christana to write an introduction for it; so see below

SPIN

Written by Christana Lei

Voiced by Paul Cree

Intro by Christana Lei

This story is a chapter that never made it into a novel I’m working on.
Inspired by my love for the young people I was lucky enough to spend serious time with, when working in a PRU back in 2010. Inspired too by the lyrics of a song called Sad But True by the legendary Metallica (1991), whose lyrics are used throughout. When I write, I tend to imagine my writing like a film playing out in front of me, and if I had the production budget, Metallica would be the soundtrack to this one.

Maybe you’ll hear themes in the story but that’s not intentional: It was just an exercise in witnessing and acknowledging the violence that happens with no rhyme or reason, no matter how much we want to find reasons for it, in an attempt to impose order on chaos. It seems that the attempts to do this by those of us who are on the edges but not in the violence; an attempt we make to preserve our own sanity and faith in human nature, more often than not just leads to victim-blaming.

I hope Spin pays homage to some of the experiences some of us (hopefully) survive in this messy, sometimes brutal business of being human. And that now Paul has performed it, I can forget about it completely, because it is out of my system. (Which means Paul is now kind of an Exorcist). Enjoy.

Christana Lei

Slow and Steady

This is a work-in-progress peice of writing about eating food, it’s up on my Substack page, Lager Time, where you can aslo listen to it as audio, have a listen HERE

Slow and Steady

My wife is helping me to slow down when I eat food and by proxy, control my impulses, which is exactly what I used to tell the year fours, every day, when I worked in Primary. They were nine, I’m thirty seven.

She tells me to chew twenty-times before I swallow this bite of a burger I’ve got in my mouth. I know also, that I should say a full sentence in my head, before I take the next bite. This burger is absolutely banging and at present, the concept of delayed gratification is a utopian pipe-dream. I want to murder this burger and leave no trace. When it comes to food, I’m Wolverine in full berserker-mode and this unhealthy habit of mine ‘aint going quietly, I’ve had a lifetime of practise, I’m hard wired for destruction.

Mealtimes as a nipper were difficult, I often couldn’t wait to finish. I hated the sound of people eating, knives and forks scarping on plates, food being chewed, grace and small talk. Mum and dad insisted we sat at a table most nights and eat the food mum made, hearty and simple. When mates came round for tea, they’d think I was posh, regardless of what was, or wasn’t, on the plate in front of them. Some of them had Sky TV and the Simpsons and they’d eat and watch at leisure.

I often acted-up at mealtimes, testing my dads stern authority, or I’d withdraw inside and say nothing. Most times I wanted to eat as quick as a I could, so I could resume playing football down the side of the house, on my own, enacting out games I’d conjured up in my head, continuing the long running football-saga I’d been developing over weeks and months.

Most days I’d polish my plate, double-lively, wash-up, then burn upstairs to continue playing whatever computer game I was into at the that time. As I got older, football and games were replaced by music and lyrics. it weren’t long before I had a full-time job, time was of the essence and food got in the way of creating. I leant to make basic meals, which required minimal amounts of cleaning-up and I stuck to that, though it was never quite that efficient.

Put a plate of food in front of me and I’d transform to that pack of wolves in a feeding frenzy and demolish the lot within minutes, often taking way more than I need and bloating myself out for the rest of the evening.

I like eating. Put a plate of food in front of me and a switch gets flipped. There’s this thrill in seeing it, smelling it, getting it all in my mouth. It’s like a fruit machine with every light flashing in double time, treble-cherries lasered onto my eyelids and every mouthful is a potential pay out It’s why I try to avoid buying those bigger bags of sweeties or crisps that are meant for sharing. As soon as that seal it’s broken I’m one-man-de-facto state primed for self-perseveration.

When I first met my wife, she was surprised that I rarely had food in the fridge or the cupboard and I’d be annoyed at the inquisition. Where’s the staples? Rice, bread, eggs. I bought food as and when I needed it, if I knew it was there food I’d be eating it. I had things to do that were more important to me than eating decent dinners. That slim window of post-work time was not to be wasted attempting recipes from glossy telly chefs

When we eventually got married, it hit me like a custard-pie in the face, how important to me my family was and by extension, my new family too. All those dinner times as kids, were daily practise matches preparing me for the bigger moments. I shunned them and it shows.  Which is why, I’m sat here now, at the kitchen table, summers evening, my wife, her parents and sister, and she’s having to help me learn how to eat.

Progress is slow, bumpy but mostly steady, it’s speed what did me before. Regardless of how fast I consume, this burger is still banging.  I’m slowly starting to reap the benefits, at the very least, I’m cutting down the belly aches and the gas leaks, that’s a start.

NEW POETRY VIDEO: NOt QUITE A CHEETAH

Another video from the day I spent, few months back with the Muddy Feet Poetry team - this one called NOT QUITE A CHEETAH

I wrote it last year during the first lockdown and funnily enough, not long after that my missus went and got a dog, imagine that

Make Your Own Bed and Hope for the Best, @CPT JULY PERFORMANCES

A WORK-IN-PROGRESS, ABOUT WORK, FORMALLY KNOWN AS ‘WORK’

TICKETS NOW ON SALE FOR NEXT WORK-IN-PROGRESS PERFORMANCES

JULY 30TH / 31ST @ CAMDEN PEOPLE’S THEATRE

BABY STEPS

So here’s the coo… A couple of years ago I decided I wanted to write about all the different jobs I’ve done over the years, there’s been a few. I went through each job I ever did and worked out what stories I could tell, I then put that into a body of work, which I called ‘WORK.’ Imaginative, I know.  

I spoke to Camden People’s Theatre, who were up for letting explore the idea further, in view of attempting to make a show out of it.

TODDLER TIME

I did a 15 minute scratch of some of the material I’d written at CPT. With the help of Lucy Atkinson (who produced my first solo show, A Tale From the Bedsit, in 2013) I wrote an Arts Council grant to get some dough, for a bit of R&D. I assembled a top team of collaborators to help me out, including producer Ellie Barr. In December 2019, we done another scratch, a bit longer this time, at CPT again, then put an hour-long preview together, for a show at VAULTS Festival in February. Then COVID. Then nothing.

TEENAGE STROP

I decided to leave the show for a bit, I wasn’t fully happy with it, probably a good thing, though as COVID shelved everything anyway, BASTARD!

ADULTHOOD BUT WITH A LONG WAY TO GO

Until I got the itch again about nine months later…

So here we are now, April 2021 and tickets have just gone on sale for the next work-in-progress showings at CPT. The show now has a new name, Make Your Own Bed and Hope for the Best, which I think best sums up what the show is about, in terms my journey in it.

Last November, 2020, I went back watched all the scratches, read the material and re-wrote lots of it, I then decided to film each one and stick it up online as part of the development.

 It’s very much still being developed, I’ve ended writing a load more material and I’m now wondering how the faaaack I’m gonna fit it all in but then, that’s part of the fun, isn’t it.

You can have a butchers at the journey so far, all the performances and then the story uploads, then, if you like it, come and see me do it live!



Intro to spoken word workshop

Last week, I did a You-Tube live workshop, for the Tramshed; in An Introduction To Spoken Word.

I enjoyed myself, despite having done a bunch of Zoom sessions over this last year, this was the first time I did it live on You Tube, so I had to take a different approach to what I’d normally do.

I couldn’t see anyone, as I was on Zoom which was then broadcast onto You Tube but there was a team of 4 people behind the scenes doing all sorts of cool techy things to make it happen.

I based the session on using a personal object where you live as the basis to write a story, as well as giving one of my own, large up Stripey Bear. Have a watch / go below.

The workshop was part of Tramshed’s All Together Now, which are free arts workshops every Tuesday and Sunday at 4pm, get involved, they’ve had a whole bunch of different stuff on there.

M.Y.O.B (A.H.F.T.B) / / PART 3 -TROLLY BOY

Here’s the next instalment in the Make Your Own Bed (and Hope For the Best) story development

Needs a bit of work this one but I least feel like I’m getting better at making the video’s.

Progress, mate

M.Y.O.B (A.H.F.T.B) // PART 2 - SATURDAY ASSISTANT

Bonjour

Second story from my work-in-progress theatre show, Make Your Own bed and Hope For the Best (I should have a word with the Paul Cree marketing team) - this one is based on my experiences of working in a newsagent.

Despite the lapel mike, the sound was shite so I’ve had to use the video sound. It’s not just the stories that’s a work-in-progress, this whole damn project is (have a look at a blog I recently wrote, regarding this)

Big thanks to everyone that has watched and engaged with the first two videos, I’m genuinely finding this a useful exercise and I’ll keep them coming.

Make Your Own Bed (and Hope for The Best) - Draft Story Uploads

NEW YEAR WITH A NEW SHOW (FROM LAST YEAR) BUT WITH A NEW NAME

So we all know what happened last year. COVID and that, which in my game, meant cancellations, shows, workshops, projects, the lot. I’ll spare you the ‘it’s been a terrible year’ caper but it has, however, there were a few minor victories, which I’m claiming hard.

This time last year, I was getting ready to go and do a full one-hour preview, of my new work-in-progress show, WORK. Which is about, yep, work, as in all the jobs I’ve done since I was newspaper when I was twelve; I’ve had a few. 

Did the show, it went well though I knew there was a lot of work (no pun intended) that needed to be done before it was anywhere near ready for a full run, I was still testing out ideas at this stage.

I was booked in for a two night preview at Camden People’s Theatre in April and by the end of that I was aiming to have a finished show for the end of the year-then CRASH-BANG-WOLLOP, COVID.

ABSENCE MAKES THE HEART GROW HARDER

To be fair, it was probably a bit of a touch. I decided to leave the show for a bit and focus on other things. Anyway - I’ve since been back on it, having had a bit of a hiatus and have come at it feeling somewhat refreshed, starting with the name, which was never gonna top anyone’s Google searches, was it?!

So, WORK is no more, it is now called Make Your Own Bed (and Hope For The Best)- which sums up my working ambitions, from when I had to leave home and fend for myself.

I’ve rewritten quite a lot of it and have added quite a more stories. I’m now in the process of trying to trim it all down, so being that we’re all stuck in doors, I’ve decided to film it in small episodes and stick them up on You Tube. Just me going through that process is useful and even better if people watch and respond. I’ve already uploaded the first part and have the second part ready to go.

HAVE A BUCTHERS BELOW

p.s I’m provisionally booked for two nights at CPT in June, fingers crossed it goes ahead but until then, you can see my boat and hear my dull tones on the video

Peas and taters

Paul

On Tour: Beats & Elements in Manny

Alright, it was only night but in these nutty times, missioning it, up to Manchester from London, to get on the mighty HOME mainstage and do a show, even if there was no there (apart from 4 great members of staff) was a feat and one I’ll always remember.

It weren’t easy, rehearsing in the hotel (who almost didn’t let us in, even though we were booked, we had to jump through a lot of hoops) only to get to the venue and find the most welcoming staff members, who really looked after us. They, like us, just want to keep this whole game going and aren’t willing to sit on their arses and complain.

Manchester is a great city and it was quite sad to see it in Lockdown, large up all the citizens there for soldiering through. We had to walk around for a good 45 minutes, after we did the show, to find somewhere open, where we could eat. We’d love to come back, though, when we’re not under it and have a proper night out.

It felt good to do the show again (when none of us were match-fit a week bofore) and we had some great audience responses, including this tasty 4 **** review from The Stage no less (you can read three articles for free before they make you pay)

We had to endure one of the most, over-zealous, self-appointed hero-members-of-staff, I’ve ever experienced, on the train back and I’ve met some proper cock-pieces in my time, which almost ruined the whole thing but overall it was sick, I’m really glad we went up there and did it.

Large up CPT, who let us rehearse back in London, despite what they try to sell us, Zoom ‘aint even close to the real thing. It meant so much to just be back in a room, working with people I admire and respect, let alone getting on a stage and dong a show.

Have a butchers at the video Gambit Ace put together of our journey, it really was a journey this time!