LAGER TIME - On the Support of Football Support - Meditations Book q

Easy easy easy

The first Lager Time episode of 2024 is up; it’s called On The Support of Football Support. In it I talk about my love of Millwall FC and my simultaneous dislike of crystal palace.

It’s the first in a new series I’m writng, in repose to 12 quotes from the 12 books of Marcus Aurelius’s Meditations (one peice for each book)

Something a little different to what I’ve done before but I’m enjoying writing it, hope you enjoy reading / listening to it.

Spotifty link below and also the sign-up for the Subtack wher eyou can also read it and have it as en email newsletter, as well as the other podcast. It’s also available on Apple on loads of other streaming platforms.

 

LAGER TIME: On Reading Books / Meditations on Meditatations - Intro

Greetings, bonjour, what’s happening?

I hope you are well in the land of lager, or whatever your equivilant tipple-is-that-serves-somewhat-as-metaphor-for-getting-some-things-off-your-chest.

The latest Lager Time episode is up. In it, I talk about my relationship with reading books and introduce will be the next little season on Lager Time. I’ll be writing twevelve repsonse peices, for the twevlve books that make up Marcus Aurelius’s Meditations; I also explain why it is I’m doing this, aside from just giving me something to do.

Hope yous all enjoy

Have a banging Christmas and all that

Peas and taters

Paul

Lager Time: Young UnProfessional EP 4 - Melt Tree

Greetings, bonjour, what’s happening

The latest Lager Time epsiode is up. This week features the 4th instalment from the The Young UnProfessional series, Melt Tree. In this little nugget, Reece takes the advice of his mate Stuart Simmons, and tries his hand at online-dating via Gumtree.

Young UnProfessioanl is set in London around 2006 / 2007 and tells the story of Reece, in his voice, who’s not long moved to London, from provincial satellte town: New Town, where he grew up, in search of something? He doesn’t really know.

You can subsribe directly via Substack, where you also get extra content, or you listen on Spotify or Apple

Keep it Larger

Paul

Lager Time: Spin, written by Christana Lei

Easy

This week’s episode of Lager Time was a special one, as it’s the first time I’ve put someone’s else’s work on there. That someone is a very good freind of mine, called Christana Lei, who’ve I known for number of years now and we’ve colloberated before on a few projects.

The story is called Spin. I asked Christana to write an introduction for it; so see below

SPIN

Written by Christana Lei

Voiced by Paul Cree

Intro by Christana Lei

This story is a chapter that never made it into a novel I’m working on.
Inspired by my love for the young people I was lucky enough to spend serious time with, when working in a PRU back in 2010. Inspired too by the lyrics of a song called Sad But True by the legendary Metallica (1991), whose lyrics are used throughout. When I write, I tend to imagine my writing like a film playing out in front of me, and if I had the production budget, Metallica would be the soundtrack to this one.

Maybe you’ll hear themes in the story but that’s not intentional: It was just an exercise in witnessing and acknowledging the violence that happens with no rhyme or reason, no matter how much we want to find reasons for it, in an attempt to impose order on chaos. It seems that the attempts to do this by those of us who are on the edges but not in the violence; an attempt we make to preserve our own sanity and faith in human nature, more often than not just leads to victim-blaming.

I hope Spin pays homage to some of the experiences some of us (hopefully) survive in this messy, sometimes brutal business of being human. And that now Paul has performed it, I can forget about it completely, because it is out of my system. (Which means Paul is now kind of an Exorcist). Enjoy.

Christana Lei

Lager Time: 22.9.23 - Young UnProfessional - EP 2

Greetings, bonjour, what’s happening

The latest Lager Time podcast is out. This week it’s the second instalment in the Young UnProfessioanl series. It’s called The Urban Explorer (but in Sick Trainers)

Reece decides, on a whim, to have a little adverture over in London’s trendy Brick Lane.

Have a blast - you can find Time on Substack, Apple Podcasts, Spotify etc

As I menton at the start, this is a new series which I’m writing as I go, so I’m slowly finding my feet with it; I’m having fun

Paul

Lager Time is back! McGeezer The Machine

Greetings

After a bit of a hiatus, I’m back producing podcasts and blogs for Lager Tine. It’s been a busy few months for me; with work and a course I was undertaking. All is explained and more, if you listen to this episode, better still, subscribe on Substack and you’ll get it direct into your inbox every week, or if you prefer just the audio, you can get it on Spotify, Apple and all them!

This week’s epsiode featured the last in the series (strange timeing, I know) of the Satteltie Stories series which I’d done; all base don my experiances growing up in the Gatwick area. This is about the summer after the middle school I attened closed down.

Have a blast

Paul

Toast In The Machine, out NOW https://paulcree.hearnow.com/

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LAGER TIME PODCAST: SATELLITE STORIES - THE 405 (PART 1)

Easy

The latest Lager Time podcast is up. This week it’s the first part of a story about getting a long bus journey, across Surrey to Kingston.

I didn’t get around to finishing it in time, so that’s why it’s in two parts, no other reason.

With these stories I’m trying to add in a bit of production, sound effects etc. I messed up the dialogue in one of the bits by sticking the character Donovan, on a channel where I’d put some reverb on it. I think it was what I used for the story intro. Didn’t intend on doing that.

As I go along with Lager Time, I think, to improve it, I’m going to have get a bit more disciplined with how I record it. Probably need a bit more time for the writing, the recording and the mixing. At the moment, it’s all a bit slap-dash

We keep on and all that

To subsribe via Substack, where you can get the written email and podast, subsribe HERE

OR SPOTIFY HERE

OR APPLE PODCASTS HERE

Paul

The Emperor's New Football Kit

Some thoughts on craft-beer and total football, with a little poem at the end, by, me Paul Cree

originally featured on my Substack PAGE - LAGER TIME - including audio

If you know me, or you know the name of this blog, at least, you’ll know I very much enjoy drinking lager. These days, I don’t get to do it nearly as much as I’d like but I do enjoy a pint, or five. Those that know me well, know that I’m no fan of craft beer. It’s an odd thing to say, as craft-beer is a very broad-church and that rational part of me knows it’s an irrational thing to have a gripe about. BUT, I can genuinely say, I’ve never drunk one I liked the taste of but it’s not the content inside the glass or the tiny can with the whimsical illustration on it, that gets my back up a bit. It’s the perception, in my tiny paranoid mind, that I’m being told this is better, I should be drinking this. Well, what some it, just is’nt

Certain arguments I get; small local brewery versus cooperate bemouth full of chemicals and in many cases, I can understand people’s reasons to opt for the stinky hops, but it’s not always that simple is it. I remember waking up one morning after a night on that Camden Hells and my head felt like I’d been drinking Special Brew in a park, all day. I don’t think it’s all that squeaky clean. Then when stories broke of Craft-Beer-big-bollox, Brew-Dog mis-treating their staff, it made me think of that pious man that runs Canada who keeps getting caught doing black-face. What if, SOME of this craft beer stuff, is actually bollox

In a similar way, all this can be applied to food - see vegan /organic / sour dough etc and of course, to my other favourite thing, football. I’m a Millwall fan and like most Milllwall fans, I know that being in the to- ten of the second-tier in English football, is a decent achievement and if we’re there, it means that we’re probably punching above our weight.

These days, with Man City’s brand of football being the zeitgeist, playing the ‘right way’ means having multiple players that are comfortable on the ball and can move and switch positions. Trouble is, the players that can do that, tend to cost a lot of money. Millwall, not having the financial resources of other teams, have had to rely a bit more on being stifling-boring and defensive or failing that, the trusted four-four-two, blood and guts method. Which is often considered archaic. But what if it works

I’ve sat through and endured many teams attempting to play the ‘right way’ and sometimes, they get no-where. What if, SOME of the proponents of the ‘right way’ are just, a bit shit - see poem below

 

 

 

THE EMPOPERS NEW FOOTBALL KIT

 

They say they play proper football

how the game should be played

passing the ball, from back to front

and back again, all one touch

like a slowed down pin-ball machine

gracefully pinging about the pitch

yet they never get out their own half

they don’t ever score, nor do they

ever win, but the crowd applaud and

the pundits praise, because they play

proper football, how the game

should be played

Mirror Moments

A few thoughts on signalling, with a poem at the end, called Weak Walking Shoes, originally uploaded on my Substack page, Lager Time, where you can listen to it as an audio piece

Mirror Movements by Paul Cree 2.11.21

Including the poem Weak Walking Shoes, at the very end of this    

One of the many reasons I enjoy writing, to borrow a cliché, is that it allows me to hold up a mirror to my own behaviour and by extension, others too, hopefully. When I think about this, there is one image that often flashes up in my mind, over and over again, reminding me of that particular reason.

It’s probably a compound of many memories, spent working in Waitrose as a teenager (and any other customer service type job I had, there was a few!) and witnessing some customer going ape-shit, at me, or some other hapless part-timer on the checkouts, over the condition of something relatively minor, like a tin of soup and inevitably demanding something in return for the pain of it; the attention of the senior management, a reduction in price etc. I call it the mirror moment.

Back then, I always used to think, that if you could pause-time in that moment, unfreeze that customer, like a drama improv-exercise and hand that angry customer, one of those little rectangular mirrors we used to use in school, l to measure light-angles or whatever, they could look at themselves in that moment, take a moment and hopefully think  ‘yea, maybe I’m being a bit of prick here.’

There are many more of these memories, people having overly-loud telephone barneys in pub lic, hyper-devout church attendees, out-singing everyone else and of course, the over-whelming vast array of behaviour-questioning memories that scrutinise my own actions, hence the poem in this post  but for some reason, it’s always that Waitrose one I return too; I don’t know why but I don’t suppose it matters all that much, it does the required job and encourages me to question to my own motivations.  

I guess where all this is leading too, is that in each of these examples, my amateur psychological guess, is that each person is signalling something, which may not exactly correlate with what they’re presenting, almost like they’re misleading us, the public, the audience, the viewers etc and it makes me uncomfortable. I don’t like it, it’s dis-honest. Maybe honesty is in itself, a signalling thing but I still don’t like it.

In an age of social-media, this goes on a lot and yep, I’ve most certainly done it myself. I can’t turn on the telly, without some huge mutli-national corporate entity encouraging me to take up whatever moral-crusade they’re promoting, or more simply, some poet who just so happened to pen a poem on the day of some huge tragedy and immediately stuck it up on line and encouraged everyone to share it. I don’t like it.

Mirror moment, why are we doing this? And if we really knew why we were doing this, would we still be doing this? Mirror moment, why am I doing this? See below

 

 

 

 

Weak Walking Shoes

 

Back then I didn’t know many people into people into

outdoor pursuits, certainly not outside Ikon-Diva

Crawley’s premier late-night go-to in 01

gone 2am with a curb-side-view, scuffles on the

pavement, arguments in the kebab que

 

couple of times I put on a pair of clumpy walking

shoes, zipped up the ugly- fleece and attempted to

scale the moral high ground, preaching to my mates

below that fighting was an immature thing to do

 

Now I’m at an age, where, keep it down, yea but

I might actually enjoying walking and I might-possibly-

have considered purchasing a pair of ugly-arse walking

shoes, because they’re water-proof and comfy and …

 

listen, that kid my mates mate slapped that time, probably deserved it

mouthed off unprovoked, squared up, probably shirtless

and when push came to shove, I was probably deserting

knowing deep down, I lacked the right gear for that sort of pursuit

wrong sort of shoes

 

so I ascended hilly peaks and preached my views

convinced I was on higher ground like a

champagne-socialist one windfall

away from a super yacht cruise

 

 

Make Your Own Bed and Hope for the Best, @CPT JULY PERFORMANCES

A WORK-IN-PROGRESS, ABOUT WORK, FORMALLY KNOWN AS ‘WORK’

TICKETS NOW ON SALE FOR NEXT WORK-IN-PROGRESS PERFORMANCES

JULY 30TH / 31ST @ CAMDEN PEOPLE’S THEATRE

BABY STEPS

So here’s the coo… A couple of years ago I decided I wanted to write about all the different jobs I’ve done over the years, there’s been a few. I went through each job I ever did and worked out what stories I could tell, I then put that into a body of work, which I called ‘WORK.’ Imaginative, I know.  

I spoke to Camden People’s Theatre, who were up for letting explore the idea further, in view of attempting to make a show out of it.

TODDLER TIME

I did a 15 minute scratch of some of the material I’d written at CPT. With the help of Lucy Atkinson (who produced my first solo show, A Tale From the Bedsit, in 2013) I wrote an Arts Council grant to get some dough, for a bit of R&D. I assembled a top team of collaborators to help me out, including producer Ellie Barr. In December 2019, we done another scratch, a bit longer this time, at CPT again, then put an hour-long preview together, for a show at VAULTS Festival in February. Then COVID. Then nothing.

TEENAGE STROP

I decided to leave the show for a bit, I wasn’t fully happy with it, probably a good thing, though as COVID shelved everything anyway, BASTARD!

ADULTHOOD BUT WITH A LONG WAY TO GO

Until I got the itch again about nine months later…

So here we are now, April 2021 and tickets have just gone on sale for the next work-in-progress showings at CPT. The show now has a new name, Make Your Own Bed and Hope for the Best, which I think best sums up what the show is about, in terms my journey in it.

Last November, 2020, I went back watched all the scratches, read the material and re-wrote lots of it, I then decided to film each one and stick it up online as part of the development.

 It’s very much still being developed, I’ve ended writing a load more material and I’m now wondering how the faaaack I’m gonna fit it all in but then, that’s part of the fun, isn’t it.

You can have a butchers at the journey so far, all the performances and then the story uploads, then, if you like it, come and see me do it live!



M.Y.O.B (A.H.F.T.B) / / PART 3 -TROLLY BOY

Here’s the next instalment in the Make Your Own Bed (and Hope For the Best) story development

Needs a bit of work this one but I least feel like I’m getting better at making the video’s.

Progress, mate

Appearence on Poet Woffle podcast

Had the pleasure last week of jumping on Dan Cockeril’s Poet Woffle podcast to talk about all things poetry, how I got into it all, family, relationships and audio books. Dan’s a bit of a legend in this little thing we do, he co-runs Bang Said The Gun, probabaly the best live poetry night thet I’ve perfomred at. He’s got this sick little office in his garden, loved it mate. get involved and have a listen, give Dan a follow on the socials.

You can stream the podcast on Apple and bare other podcast platforms, the one below is Soundcloud

me and Dan, after recording the show. Dan’s got a way better smile than me, Ilook like a plank

me and Dan, after recording the show. Dan’s got a way better smile than me, Ilook like a plank

Living The High Rise #eStateOfMind Life

  • I started writing this back at the start of May, for whatever reason, it never got posted. So, on the 14th June, here it is...

Last time I wrote, back in March, we we’re just about to undergo the first run for the latest show, High Rise eState Of Mind, at Battersea Arts Centre and now, we’re hours away from the first night at Camden People’s Theatre, just three days after taking the show to Gloucester. Thought I’d write down a few thoughts prior to this latest run.

As part of a few things to promote the show, High Rise #eStateOdMind for our BAC run in March, we went on London Live TV. It was really brief but an interesting experiance. The offices were in Kensington - same place where the Daily Mail and The Standard are (same umbrealla compay, I beleive). - all marble, brass and woodpanelling everywhere, framed photos of what I assumed were / are prominant people. We got ushered into this little green room, given a cup of tea, miced up and then taken into this small studio, where we met the host. He was a nice guy and had read the orignial JG Ballard book, so freestyled the questions a bit, as oppose to reading from this little auto-cue (first time I’d ever seen one) - he threw me a bit of a curve ball when he asked me about the ending of the show, as the book gets pretty dark - well so does the show but I did’nt wonna’ say to much - fumbled my way through it, felt like a bit of plank but the overall interview went well. We were in and out in about twenty minuites, just like that.

After the TV thing aired, lots of my freinds and family were like ‘you’re on the telly!!’ - which was cool, but they did’nt react in the same way when I told them we’d been programmed for two full runs at Battersea Arts Centre and Camden Peolpe’s Theatre, which for me, with what I’m trying to do, is a much bigger deal than getting on the telly for a couple of minutes. Which got me thinking, why would they?

Apart from football, I don’t realy watch telly anymore, what with Nextflix, You Tube and all that, I’d have thought it’s the same for a lot of poeple in a similar deographic, however, this TV thing still has a massive reach, even it if it just a local one, like London Live. They’re going to thousands each and every time, sometimes more, not hundreds, or tens. The latter is what I experiance the most of in terms of audiances. Whilst theatre’s, particulary fringe theatre’s, in their own right, also have a big reach, however, you’ve gotta’ be on their rador for it to reach, and it’s minor compared to the telly, in my experiance anyway. Sadly, many people (most of my freinds and family) still are’nt on that rador, unless they’ve got a mate or family member who happens to be into it. It stands to reason that they might not appriciate how much of a big deal it is for me, to get a theatre show made and programmed, in a decent venue, way bigger than a breif appearence on the TV, just to plug the show.

The capacity in the Rec Room (where we performed at BAC) was about sixty five, we sold out six of the ten nights in there. To me, that’s amazing. Sixty five is pretty small but really, is pretty big, big for me! To get more than twenty people, to come and watch a show, for two weeks, is a massive deal. We’re in a fringe arts venue, making fringe art, which is fringe even within the fringe. There’s also (probably) way more people tryng to make this stuff than there are venue’s to put it on, so we’re lucky, we did well. (the CPT run also went well too, sold out a couple of those nights, chuffed, mate!) Have a read of a few of the Stage Door Reviews here

Suffice to say, all my freinds and family that came said they enjoyed it, some even came twice. They may well be biased but quite a few bought freinds along, or told their freinds to come after seeing it themselvs. We had many people come and watch who rarley ever go to see live theatre, who would probably go again, now that they’ve been. I think the lesson in all of this, is if the theatres have the right shows and they’re able to reach out to these people, they can bring in more and more people, thus not having to rely on TV Stations and newspapers to convince people to come and support it, they’ll just come anyway, becuase it’s no longer a fringe thing, this stuff should be for everyone.

High Rise State Of Mind  - Ali Wright-9.jpg